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Occasionally, Julie takes to the
theatrical stage for full-length shows involving a mix of original
and classic songs, interleaved with monologues and stories based
on her worldwide adventures.
Double Entendre
"I did that in NY at Don't Tell Mama's. It
was an early version of French Kiss.
Ciao Bello "
I performed
it at Thumper's. It was about my trip to Sicily, singing and romancing
and reconnecting with my Sicilian
family who had no idea who I was. I met a man and of course I fell
in love. I thought I'd finally found Mr. You'll Do."
French
Kiss
(co-written and directed by VIctor Janusz): An autobiographical
account of a Paris rendezvous with a dashing but fatally aloof
Frenchman; featuring cameo appearances by two of her cabaret
characters, Sam Turner
and the Chanel Lady.
I Love Being Abroad
(Tales of the Orient)
A two-act
saga that premiered at the Bumbershoot arts festival, then had an
extended
engagement at
Thumper's Cabaret. In Act One, Julie tells how it was like
to sing at the Hong Kong Sheraton over Christmas. In Act Two, she
takes
a side trip to Thailand and falls in love with a local man.
She
contemplates
marrying him and living together on an island.

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"…Dressed in a faux tiger-skin coat, Cascioppo makes a dramatic entrance.
With false eyelashes slightly longer than a direct flight from Seattle
to Chicago and a smashing, Asian-inspired diva dress, the popular comedienne/singer
looks every inch the cabaret star. In telling her tale of a three-month
gig at the Hong Kong Sheraton in a basement bar called "Some Place
Else," Cascioppo's banter is quick and bright. "Did you know
I left Seattle," she asks a friend at ringside, "or did you
just think I was in rehab?"
"My Guy," one of
the all-time girl group anthems, becomes "My
Thai" as she tells of her affair with an Asian gigolo — "$2
a day for an incredible escort," she swoons. "He took me to Victoria's
Peak one day. I thought it was an underwear shop for men!" she deadpans. "It
turned out to be a mountain." Stories abound — propositioned by
a Polish pilot who offered to trade "marriage for a green card for free
flights for life," a local cabaret performer who wouldn't give Cascioppo
the music for a new, unpublished cabaret rarity ("I got it anyway," she
smiles). Her one word description of a bad date — "Insect!" — got
the biggest laugh of the show from the intimate opening night crowd.
The songs
all work well. "It's Been a Long, Long Time," "Is It
Hot In HERE?," the wistful "Bird Alone," "Fools Rush In," "Bali
Ha'i," "I Haven't Got Anything Better to Do" (with its melancholy
lyric "I never loved him and he never moved me") mix popular standards
with cabaret classics."
Milton W. Hamlin,
Seattle
Gay News, on
I Love Being Abroad
"
Rather than sentimentalize emotional dependency, French Kiss satirizes
love addiction… and
offers some stylish singing and goofy vignettes… Cascioppo really
is a skillful dramatic singer."
Joe Adcock,
Post-Intelligencer, on
French Kiss
"
The show has really surprised Julie's fans… she has gone to a deeper, more
complex place… Now when she gives a situation her characteristic
comic twist, it resonates even more."
Victor Janusz on
French
Kiss

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